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Free Ebook , by J. D. Brucker

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, by J. D. Brucker

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Product details

File Size: 5054 KB

Print Length: 97 pages

Simultaneous Device Usage: Unlimited

Publisher: Atheist Republic (February 4, 2015)

Publication Date: February 4, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00T70PAWC

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Amazon Best Sellers Rank:

#98,133 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Christian beliefs failed me at the age of eleven. It's difficult to understand how very intelligent people cling to beliefs that are so easily disproved or explained with science... except that they are indoctrinated almost from birth, and how can you dispute the 'truths' that your parents and family daily impress you with. I was fortunate not to have been 'brainwashed' by my parents.I would encourage non-believers and believers alike to read this book. Hopefully, it will encourage intelligent discourse.

Short and superb book involving the weakness of Christian religious assertions. Goes into how morality does NOT come from religion. It describes just how it is that intelligent people often cast aside their normal rational selves when the topic turns to religion. The book goes into some negative consequences of this, including people losing a great deal while believing in some prophesied Armageddon scenario, and expecting supernatural cures to addictions, bad behaviors, and humanity's ills. Expecting a supernatural force to solve them gets rid of the impetus for humans to use our brains, will, and knowledge to solve them ourselves. The apparent opposition between science and religion - and some people choosing religious teachings over scientific knowledge will cause a great deal of problems and suffering to continue.

As a non believer i found this book an utter waste of time. He never shows why god needs to go or why christian beliefs fail. He is a blogger on a religious website and he rants on and on and never seems to get anywhere. I am an unbeliever and even I found this book boring.

Mr. Brucker produces a book that is engaging and full of original ideas. I've been an atheist for years but his views on some of the "classic" arguments gave Me some food for thought. I don't often come across a book that gives Me a reason to stop and contemplate what the author is writing about. Some of his personal backstories rather hit home as well; I think many other readers might identify with some of his experiences.As a few other reviewers have noted, there are a few typos (at least in the Kindle version), but I'm confident that those will be ironed out in the next edition.

i've been an atheist since age 15, now 87.Mr.Brucker would do well to hire an editor. his grammar is atrocious and has no clue as to when to use WHOM instead od WHO; consistently wrong. i suspect he is plagerizing many good authors on this subject.

Having finally come out of the closet as an atheist, I have been searching for some literature with which to wet my beak. I was drawn to this title after having read another from Armin Navabi. As stated in another review, there are some good thoughts in this work, but Mr. Brucker writes as though he barely passed freshman comp/lit. His grammatical errors, confusion of terms ("affliction" versus "infliction"), created words ("biasness") and a general desire to sound more educated would be completely off-putting in a longer work. The saving factor here is a length of only 56 pages.The other issue I have is a bit more substantive. In each of his chapters, Mr. Brucker uses anecdotal information from his own life to illustrate his assertions. This, in and of itself, is no real literary crime. Mr. Brucker, however, feels a need to state, "I am completely honest when I tell this story."Finally, Mr. Brucker uses his essay to call those who still cling to their faith "hapless" and "stupid," as though the shuffling off of years of indoctrination should be so blatantly evident that they have an immediate epiphany and reject a belief system which, for many, validates their very existence. For someone who describes himself as having the utmost respect for all human beings, he certainly holds those who still believe in a great deal of contempt.

This book brings together most all of my thoughts for and against Western religions. Most everything I have ever thought about in trying to think out if I will survive death. I am 71 as I write this. Generally good heath. I have forced myself to read the Old Testament recently. Will read the New Testament in months ahead.I find so far I just can't buy into of the three "holy" books. Have not and never will read the others, since I know for reviewing them, the are the same. What bothers me most is how they portray "God". If I was the God of the Abrimhamic religions I would be pissed at man's inventions of books that are so full of errors, lies, fairy tales, death of millions, torture, rape and so on.I remember as a kid in the 1950s and 1960s beloved Tennessee Ernie Ford calling the Bible "The Good Book". I accepted it as I liked his TV show, his music and his personna. But today as an senior, I find his words an oxymoron. Did he ever read it?Bricker pulls my life thoughts together in this book. Not a vicious book. Not an attack book. Just reason. Plain and simple writing style easy to read and understand. He should write a book on how the "afterlife" is illogical. From questioning how the world's other religions and philosophies are wrong in the eyes of the Christians, Jews and Muslims. To how the Christians have it right--and the Jews have it wrong. Or the Muslims have it right and the Christians have it wrong. Then we can break it down to the Mormons have it right and the Baptists have it wrong. And then Brucker can cover the infrastructure of "Heaven". What is there? A Root Beer Barrel? Do I get my 1955 Chevy back? Do we cruise the streets of gold on Saturday nights? Am I forced to live for eternity with my Brother-in-law? What do me and Jesus talk about for eternity? You get the point J. D. Elaborate.I would love there to be a real God. But I can't buy the fact He/She would not have organized man's thoughts about Him better. And maybe be a far better loving and caring God for man and other living things. And an appearance every decade or so down here would certainly be helpful.I guess I have to come to the acceptance personal extinction is coming up for me. I don't like it but beliving in the Supernatural is just more than I can lift.Good read, J. D. Maybe we will meet on the "other side"😈. Or not.

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Download PDF , by Lacy M. Johnson

Do you still have no suggestion with this publication? Why must , By Lacy M. Johnson that ends up being the inspiration? Everyone has different issue in the life. However, pertaining to the factual informative and expertise, they will have same conclusions, certainly based upon realities as well as research study. As well as now, how the , By Lacy M. Johnson will certainly provide the presentation concerning exactly what truths to constantly be mind will influent how some individuals assume and also keep in mind regarding that trouble.

, by Lacy M. Johnson

Download PDF , by Lacy M. Johnson

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Product details

File Size: 353 KB

Print Length: 157 pages

Publisher: University Of Iowa Press; 1 edition (March 15, 2012)

Publication Date: March 15, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0083LF184

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Amazon Best Sellers Rank:

#1,671,032 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

No, I'm not staggering, but Lacy Johnson's smart and beautiful *Trespasses* knocked me down. A series of interwoven entries--some with dates, others with themes, as titles--move from the present to the past and tell the story of one very ordinary family in the middle of the country. Ordinary, though, doesn't mean uninteresting or unimportant. Instead, we get a picture of working people scraping by and overcoming every obstacle. Our guide is Lacy Johnson, whose lyrical writing mashes up literary nonfiction, prose poetry, and reportage into one brilliant gem of a book. *Trespasses* reminds me most of James Agee's *Let Us Now Praise Famous Men,* which similarly etched in aching detail the lives of the omnipresent overlooked.

Full Disclosure: I've had Lacy Johnson, the author of this book, as a teacher for several community writing workshops. I read Trespasses in part to better understand her approach to writing and how that influences her instruction, but what I found was a book that made me ache fiercely for its beauty and its heart.Trespasses is a meditation on memory, identity, and place - specifically the rural Midwest. The volume is a collection of 80 short pieces of prose, including history, memoir, prose-poems, historical fiction, sociology, liturgy, etymology, jokes, ethnography, criticism and mythology. If The House on Mango Street took place in Missouri, this book would be it (or very close).The book sets out with Lacy, pregnant with her first child (a girl) returning to her childhood home of Macon, Missouri, to better make peace with her past. Through a series of interviews with her family and research in the local genealogical library, Lacy constructs a mosaic of the place she chose to leave behind, weaving together the stories of her parents and grandparents as well as her own memories of Missouri. What emerges is a complex, and at times contradictory, portrait of a community and its conflicts over poverty, gender, class, race, and religion.Ultimately, Trespasses is an exercise in subversion. As a young girl from a background of poverty, with intelligence and ambition and a penchant for questioning the established order of things, Lacy couldn't remain in her home or her hometown: "Growing up in this town, for me, was like learning to breathe underwater." Her high school chemistry teacher delivers his prognosis for her, shortly before she is suspended: "Won't amount to anything. Barefoot and pregnant. Poor white trash."She returns a decade later, at the conclusion of her doctoral studies in literature and creative writing, to make sense of the injustice and violence and small-mindedness of a place that she simultaneously is compelled to love and defend: "I have an argument with a New Yorker. `The problem with midwesterners,' he tells me, `is that you have no culture.' He has come to this conclusion after having driven through the Midwest at some point in the past. His scalp shines through his hair in the patio light, which glints off the glasses he wears pushed far up on his nose. `Applebee's,' he says, crossing his legs at the knees, `is not culture.'" But after reading Trespasses, it's hard to see the experiences of the Missourians described as any less valid or urgent than those of urban, coastal Americans.After gracefully undermining both the Midwestern notions of class and gender roles and the cultural elite's stereotypes of rural America, the author then turns her attention to traditions regarding what constitutes "art" and "literature," using her own life and work as a case study. She describes her high school encounters with poetry: "these poems are so far removed from my own language, my own experience, I feel small and stupid and poor." Years later, after infiltrating the academic establishment by adopting their discourse, she wonders: "What passes as poetry? What passes as nonfiction? Where is the border between verse and prose, fact and fiction? Who has drawn it? Who polices it? And according to what aesthetic?" And by challenging those very conceptions of "legitimate" art, she creates opportunities for individuals to take on new identities. The author describes the interview in which her grandmother, who painted portraits of the people and landscapes of the country in Trespasses, and what that act of creation meant to her: "'It's been a blessing to me,' she tells me earnestly. `It gave me a personality - I'd always been my parents' daughter, my brother's sister, Arthur's wife, the kids' mom. Painting made me Wilda the artist." And it's hard not to feel your heart snag on everything Johnson has to say about class and gender in the Midwest, when she describes her mother, a lifelong crafter who sewed her own wedding dress: "These days, she spends most of her time making bears - intricately crafted collectors' items she sells at trade shows across the country, through her website, on eBay. `I've sent my bears to London, Australia, Hong Kong,' she tells me as I thumb through a stack of beading magazines on the floor beneath her sewing table. `Places I'll never see," she says, a little absently. `Can't hardly imagine.'"The language in this work is fresh and honest, and makes me half-consider taking my next vacation to a Midwestern farm: "You wash up at the water pump while the bird dogs yap from their pens and when nobody's looking you lie down in the long uncut grass behind the barn, where you can close your eyes and spread your whole body out under the sky's blue curve." The author describes the "margarine vinyl seats" of the town's gossipy beauty salon, where her grandmother, the "child of a hot-headed woman and a hard-handed man" and a woman with a "fly-catching voice" would visit each week. The image of her grandfather's silent tears as his failed farm is auctioned off in 1955: "clean wet tracks plowing through the fields of dust and dirt." Scenes of farm life that make me nostalgic, without even having experienced them myself: "a litter of kittens curled together like cooked beans in an empty barrel," and "the chickens hunched and tucked or drawn into themselves, their snores such an affable puttering [...] and the eggs, warm and solid in his hands."Although Trespasses is labeled as "a memoir," I think it's really one of those genre-defying experiments that we don't have a word for yet. In the meantime, I will say that it is a love letter, to the author's daughter about her heritage and her birthright, and to the reader, if she has ever felt that there were roles and places off-limits to her.Read this book if:* You're a fan of Sandra Cisneros or Jeannette Walls* You want to know what it means to be "Middle America" (though you still won't understand it all by the end of the book, but you'll be okay with that)* You're a writer looking for a mentor text on "beyond genre"* You're a writer looking for a mentor text that self-consciously considers the act of rememberingThis book may not be for you if:* You're looking for a beach read, or you're bothered by non-traditional structures and genres* You're the author of a couple of self-published e-books with covers designed in the 1997 edition of Microsoft Paint and a chip on your shoulder

I thought the book was a beautiful blend of poetry and literary writing. I thought her transformation from self conscious "white trash" to suburban mom was inspiring. The scenes of the farm in Missouri were poignant. I would only like to have read more.

Following a English Lit. Class I was complelled to buy this book, I read and loved it would suggest it for anyone. Doesn't really read like a non-fiction so even fiction could love it.

A memoir that illustrates the eternal dichotomy of the desire to both escape and embrace that place we call home. A beautiful and honest portrait of a family and world in transition.

Lacy grew up in Missouri to a traditional, poor farming family that never bothered to keep track of its European roots. Through interviews with her family members and a series of personal vignettes, Lacy explores what it is to be white and poor in America, the farming community, and the odd in-between Missouri inhabits as not quite southern and not quite midwestern.The concept behind this book is excellent. The execution is discombobulated with a few gems at best, off-putting to the reader at worst.I think what is most difficult about this book as a reader is that we jump around through time and situations with no guidance. Then there's the narration style. It jumps from "you are so and so" to third person to first person past to first person present without any real rhyme or reason.The absolute strength of the work is when Lacy puts down her story-telling mantel and simply talks about the history of the terms "white trash, cracker," what it is to grow up white trash, what it is to change class setting from poor to academic. These were interesting and relatable.Overall although the concept of this memoir is strong and unique, the method of time-jumping vignettes and constantly changing narration styles make for a confusing read. I would recommend you browse a copy in a library or a bookstore if you are interested in the author's writing style or one or two particular vignettes, but not venture beyond that.

A beautiful interrogation of the author's family history, and of herself through her family. Made up of narrativized accounts from interviews and more imagistic sections which reveal the emotions and hardships of the people in her life, Johnson's memoir is touching, sometimes tragic, and devoid of self-pity.

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