Ebook , by Warner Loughlin

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, by Warner Loughlin

Ebook , by Warner Loughlin

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Product details

File Size: 2117 KB

Print Length: 251 pages

Publisher: Howland Tilley Press (February 27, 2018)

Publication Date: February 27, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B078YZSSDJ

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Amazon Best Sellers Rank:

#116,357 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I just finished reading this book and I love it. If you’ve read Susan Batson’s book, you’ll find that it shares the basic core, which is working from ‘The Need.’ However, as Warner points out, if you work from your own ‘Need,’ you’ll never really be the character, but rather, another version of yourself. BRAVO!You’ll learn how to create such a powerful backstory by looking for personality patterns, among many others, that will connect you to your character in such a way that you will simply click with the lines, the character, and all other aspects that acting requires.I highly recommend this book. And, NO, I’m not affiliated with the author in any way, shape, or form.About me: I’m a full-time actor living in Los Angeles. I’ve been acting for 35 years. I’m currently working on a show called, “The Last Legacy” and will be working on another one called, “Hotel Scarface’ due next year.

Wow, Real Insights. The shortest chapter in the book, Base Human Emotion, is worth the purchase price. Useful on many levels.

Great reference for aspiring actors

Let's not get crazy. The book is fine. But is it the promised revolution? No. What is the technique? A clear, commonsense reading of given circumstances that the actor then extrapolates into imagined memories that help create and justify a pattern of behavior through the use of a "Base Human Emotion." While the book poo-poos the use of objective in the very first pages, the "Base Human Emotion" is no more or less than a simple objective, i.e. "the need for order" or "the need to be seen" or "the fear of conflict" which translated to need is "the need for peace."This all leads to the creation of a detailed, imagined memory that justifies the Base Human Emotion. But this isn't revolutionary. Lawrence Parke wrote extensively about this in his acting book in the 70's, and called it a "Neurosis Provoking Moment." And he got it from Vaktanghov. So - nothing new or revolutionary. Sorry.So, if you want another take on how excavation of given circumstances can lead an actor an imaginative implication with the text and the role, go for it. This book is a fair account of one kind of process. But if you're looking for the technique that will change how acting is taught for "generation to come!!!!!!!!!" Well... not quite.

I bought two of these wonderful books because as a director I have worked with many of Warners' students and have been so impressed by their acting ability, being able to get to the place and emotion that I need them to get to, and their professionalism, that I wanted one to keep on hand and one to give out to promising young actors that I run across.

An Entertaining book, that’s helpful and informative

This isn't just for actors (although I can only imagine that it would help a bunch). This is for anybody who has to go out and do something publicly - music artists (Luke Bryan, anyone?!), politicians (she doesn't kiss and tell, so we don't specifically who) and blockbuster Oscar winners (Ryan Reynolds, Amy Adams, Zooey Deschanel, etc.! The screen writers and those behind Disney Animation lean on her and her technique as well to create realistic characters. What a relief to understand if you "do your homework" as a performer, the passion need you will be there...no going back to your worst memories to find tears and angst for a closeup shot. Loved that she came to Nashville and did an event at Parnassus Books! She's as accessible in person as her book is. I found this very helpful and will take tips away for my own public appearances.

Thank you first of all to NetGalley and Howard Tilley for letting me peruse this wonderful new addition to my acting technique books. I am always in the market for good, really good, books on acting techniques. This is perfect for my theatre students. They will revel in the direction this book takes them in. It's short in length but to the point! I love the first important sentence, and I am quoting..".. Where is it written to be a gifted actor, you must be filled with rage or pain or strife." I fell in love with the author from here to the end. How heathy and fresh is this thinking!!! This book teaches one how to act like not and not become as well as learning how to get out of one's way. BRAVO to Warner Loughlin!!! FINALLY, a really really really fantastic book for actors and acting students!!!! I can't wait to order lots!!!

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